News

June 7, 2008

Greetings to everyone who has visited my blog here.

I am building my website and decided to post most of this info there, so you are welcome to visit it and see what’s new.

www.freewebs.com/earlyamericantextiletools/

Kathryn

Interest

April 19, 2008

So,  I’m under  the  impression  that  no  one  is  benefiting from  this  site  and  I’m  about  to delete it from the  web.

If  there is  something  that  you would like to know  about specifically let  me know and  I’ll post  here.

Otherwise,  I’m deleting  this  blog as of  Monday – April 21.

Good Links for Info

March 29, 2008

http://www.geocities.com/ryn910/drspin.html

arianie.wordpress.com/

www.madehow.com/Volume-4/Linen.html

www.spin-list.com/gallery.htm

Distinguishing Characteristics – Spinning Wheels

March 28, 2008

Just as you can tell a time period on antique furniture from the style, turnings, adornments, wood types etc. spinning wheels also show such distinctions.

Sometimes we are lucky enough to come across signed and dated wheels, other times there are no concrete signs of where, when and by whom a wheel was made. Still, some makers are soooo  distinct in their woodworking that certain wheels can be attributed to them with assurance.

Some things that can suggest where a wheel has been made are:

Wool Wheels:

  • wheel diameter
  • number of sections in the drive wheel
  • grooves in the drive wheel, and how many
  • turnings on drive wheel spokes
  • tension devices
  • knob on top of drive wheel post
  • table decorations  ( beading, chip carving )
  • number of legs ( some Wool Wheels have four legs  instead of the usual three )
  • arrangement of legs
  • shape  of foot on legs
  • turning on legs
  • bands of color on legs, spokes, spindle post
  • width of the rim  of drive wheel ( they can vary from 1 ” – 4″  )
  • Whether or not the table  is a hewn plank of equal dimensions or split from a tree with one side wider . The side that comes from the center of the tree  is wedge shaped
  • tool marks on the underside of the table

With saxony wheels, many of the above characteristics apply with a few others:

  • axle post supports between the posts and the table
  • types of tensioning devices
  • double drive bands,single drive
  • double flyers, double treadles, double wheels
  • turnings of the posts, maidens, legs,spokes 

This accounts for the tremendous amout of variation among spinning wheels.

 In looking for a NY Wool Wheel, a barrel tensioning device is indicative(though they have been found elsewhere) A  drive wheel with 5 grooves also indicates a NY wheel, more specifically  – Owego NY.  A double wheel, double treadle chair wheel is a good indicator of NY as well, particularly Greene County.

Pennsylvania Wool Wheels often feature a “sliding table” tensionind device, and are  attributed to Eastern PA.

 Elaborate  Drive Wheel spokes on Wool Wheels indicate a possible connection to Berks County PA.

Early American Textile Tool Registry

March 15, 2008

My consulting business – Early American Textile Tools will have the registry up and ready to document 18th & 19th Century textile tools by April 1, 2008.

The purpose of the registry is to locate and document as many 18th & 19th century spinninng wheels, looms and related tools as possible, providing a data base for scholars, researchers and enthusiasts.

Early American tools are of prime interest, but there will be a separate section for  all others NOT of  American origin.

No personal info on tools or their owners will be divulged without consent. Those tools located in museums will be published (with consent) for anyone wanting to visit and see firsthand.

While there is no cost to register a tool or tools, nor to access the data, there is an annual membership fee of $25.

This will include:

  •  An e-newsletter every quarter ( hardcopies available).
  • Documentation of your tool(s) one copy for EATTR and a copy for your files
  • Information regarding style, type,origin, maker, intended use, conditon, age, provenance and value ( for insurance purposes).

To submit a spinning wheel for registry it must have 3 clear photos with it. Photos should be taken of both sides with another of  the spindle assembly.

Looms should have 3 photos: 1 front, 1 back, 1 side.

For further info on the registry please email me at: 

EarlyAmericanTextileTools@yahoo.com

Ask about rates for workshops and lectures- please email me for info.

Kathryn 

More on Looms-Again

March 14, 2008

 Here is another eBay link

http://cgi.ebay.com/Antique-paint-wooden-heddle-hangers-Rare-19

lithuanian-loom.jpg

You see the beater in the center of the photo.

Directly beneath it you see the cloth beam

To the left side of the photo you see a chair and to the right  of it, the breast beam with cloth in progress around the beam leading to the cloth beam.

Something  interesting  here, is the ratchet & pawl setup on the outside of the loom frame. I can’t say I’ve ever seen this before – all  the looms I’ve seen have the ratchet & pawl ( lower right hand corner, just above the watermark) on the inside of the frame.

Behind the beater are four “harnesses” holding string “heddles”. Above that are the pulleys ( counterbalanced loom) hanging from a “roller bar” which allows for the rise & fall of the pulleys which also provide their own rise & fall.

The beater is overslung from the top which provides a nice weighted beat as it’s swung back and forth. It also shows the  characteristic peak in the middle of the top portion.

While it’s tempting to grab the beater at the peak, the beat of the cloth is more even when grabbed by one hand on each side.

I seem to see three treadles, though I’m not really sure, but three treadles is typical of linen looms.

The warp is also on a slight incline, getting higher toward the back of the loom.

I am still trying to work this out. I was always told that you want the warp to run horizonatally from the warp beam, through the heddles to the breast  beam and to ride in the center of the  heddle eye to avoid undue abrasion, and I have seen that often on 100 year old looms.

But lately, the looms I’ve  seen tend to have that incline. While at least one had a unique feature that explained the incline, the rest did not. I wonder if it’s particular to linen looms?

Kathryn

email: earlyamericantextiletools@yahoo.com

Spinning Wheel Parts

March 12, 2008

Ebay wheel parts:

http://cgi.ebay.com/WOOL-WHEEL-Parts-

The first picture shows the parts grouped together, there are a bunch of spinning wheel parts to be sure, but also parts that have nothing to do with spinning wheels.

In the  photo #2  there are five spindles.

The first spindle appears to be a quiller spindle, the next two are Great Wheel spindles, probably used as “direct drives” but could have been used with an accelerated head. Number four is a quiller spindle with it’s bobbin, and five appears to be an incomplete quiller spindle as well.

Quillers are small wheels with longish tables that usually had wooden boxes built into the bench. The drive wheels are typically wide like a Great Wheel and they were used to wind yarn onto bobbins for weavers use.

Photo #3 shows three bobbins ( the type wound by quillers and used by weavers) and quite frankly three parts that could be spinning wheel parts and maybe not. I’m inclined  to think they are but I cannot see well enough to tell what they are.

Photo #4 -  Broken flyer for a saxony wheel. Quite useless because it cannot be repaired. An entirely new flyer would have to be made. Flyers differ in shape and size, so mixing and  matching them  is an “iffy” proposition.  It’s very difficult to match  orphaned flyers to a wheel with any success.  There are also two Great Wheel spindle assemblies,one missing a spindle, the other intact. Both are missing their “capstans” but that is very common. The capstans are little knobs that  sit on the very top of each post. Note the wooden  screws below each  assembly. These raise and lower the posts which will alter the tension on the drive band to some extent. It only works with accelerated heads as the direct drive spindles are held in place with leathers and are immoveable. So it’s safe to say that these type of assemblies with the posts were beyond a doubt made to accomodate an accelerated head. Any time you see one without the accelerated head, your looking  at an incomplete assembly.

 Picture #5 – two Great Wheel assemblies and a non-spinning/weaving related part.

 Picture  #6 Four accelerated heads ( remember not all accelerated heads are “MINORS” heads) one Great Wheel spindle assembly with head but no  spindle, to the left is a GreatWheel hub and spokes ( junk)  and top is a non-related part. 

It is  very common to find miscellaneous parts when looking at spinning wheel parts. Things get thrown in together and of course not a whole bunch of people are able to identify 18th & 19th century tools. It’s fun to find a “box o parts” though.

Like Old Mr. Perdue used to say- Pieces Parts -

Kathryn

Horner Collection – Online Catalogue

March 12, 2008

searchable catalog of the Horner Collection
http://www.openlibrary.org/details/catalogueofhorne00ulstrich
 

 Excellent  images of  a  number of different wheels and spinning accessories.

Museum Loom I’m Currently Working With

March 8, 2008

This loom is located in the Chenango County Museum, NY.

It’s  interesting for a few reasons. 

img_0120.jpg

It is a four poster style, well constructed with tight mortise and tenon joints and well shaped wedges that remove any potential for wobble.

A point  of interest is the lower position of the warp beam.   Above  the warp beam is a supplemental not found on most barn frame looms.  This particular warp beam is set in holes in the two back supports – also unlike most barn frame looms which have some type  of cups fitted into the two back supports. The axle of the warp beam would rest ON the cups.

In the case of this loom the axle is fitted INTO the support posts.

The breast beam has a cut-out for the woven fabric  to travel THROUGH as it gets wound onto the cloth beam. Again, not a feature on most barn frame looms.

Clearly these adaptations indicated a specific use for this loom, and it’s my opinion that  the loom was built to weave linen cloth.

Linen thread requires a much higher tension than wool or cotton, necessitating the supplemental beam to provide more distance from warp beam to breast beam and serving  to increase the tension.

For the same purpose of high tension, the warp beam is fitted into the back supports so that it won’t pull up out of the usually cup supports, when the  high tension required for linen is applied.

The extra attention to the tight fitting mortise and tenon joins, and wedges also points to a desire to accomodate that linen tension.

Finally, the cutout in the breast beam to allow the cloth to travel through, rather than over it serves to keep the fine linen cloth from being abraided by the weaver as he or she rests against the breast beam.

Upon close inspection I found evidence of ridges in  the supplemental beam, that may have been left  there by a long gone linen warp under high enough tension that it literally cut the wooden beam.

In support of the linen theory, this loom came from an area of NY where other linen looms have been discovered, among them, the Newark Valley Linen Loom restored by Bill Ralph.

It’s typical that you see a cotton warp and rag rugs on looms of this type and this one is no exception, as most people assume that was what they were used for.

I will be replacing this warp with a linen one and weaving linen cloth on it in the near future.

Please feel free to drop into the Chenango County Museum in Norwhich, NY and see this beautiful example of a wellmade 18th century weaving loom.

Kathryn

Of Further Interest

March 6, 2008

http://www.primusweb.no/search.do?criteria=rokk&owner=&x=35&y=20

The above is a link to the Norse Folk Museum-there are approximately 200 spinning related tools and wheels. 

And  a link to a nice blog with an excellent photo of what appears to be a complete  “Jacquard ” type loom. 

http://lizplummer.com/blog/2007/08/12/some-looms/

The loom looks period ( 18th or 19th Century ). Take a close look at as many details as you can. It’s not often  you get to see that type of loom here in the U.S.

Please check this one out too – it shows a nice example of a “four-poster” loom, although the underslung beater isn’t original.

http://www.museum.appstate.edu/…/images/loom3.gif


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